Steven Takasugi kindly gave me permission to publish and share this interview, one of several I conducted with composer colleagues during the Darmstadt Summer Course 2016.

Takasugi_interview_Darmstadt_2016.pdf

Photo © IMD 2016 / Daniel Pufe

My long-time work on piano multiphonics has recently been approved as my master’s thesis at the Sibelius Academy on May 17th.
The study is now publicly accessible to all composer and pianist colleagues for whom it might be helpful.
The text described and available in PDF format (the PDF file can be found near end of page)
The files from the audio CD

I am willing to keep this resource relevant and updated, so any missing information and new perspectives are welcome.

Two of my very recent major works have had presentation, among my other musical activities.

Remote desires worth missing out, MiPrimer Ensemble, St.Petersburg, in February:
https://www.youtube.com/watch?v=nIwVA_cJvts

flashbacklash, Helsinki Philharmonic Orchestra workshop, Helsinki, in April:
Article (in Finnish)
https://www.uniarts.fi/blogit/kuulolla/s%C3%A4vellyksenopiskelijat-yhteisty%C3%B6ss%C3%A4-ammattiorkesterin-kanssa and
https://www.facebook.com/media/set/?set=a.1335092123184648.1073741847.119374464756426&type=3

Connecting to my earlier compositions, my master’s thesis on piano multiphonics is also finished since March and will be shared here once it has been officially approved. Stay tuned!

Release: unique interview with Brian Ferneyhough from July 2015.
Brian Ferneyhough interviewed (pdf, free use)

My insight to this question is featured here.
Plus one more: many more writings on diverse music topics by me are to be published this year!